Unfretted Godin
207510
MENU

Home
The Forum
Fretless CDs
Video Podcasts
Masterclasses
Artists (Fretless)
The Gallery
The Gigs
Zebox
Quotations
Gear Reviews
Hall of Sounds
Dictionary
History
FAQ's
Hints & Tips
Pros & Cons
Disclaimer
About Us
About You
Contact Us

DIY

Fretless Projects
MIDI et al
MIDI Breakout Box
VG-99 Patches
VG-88 Patches
VG-8, VG-88 Mods
Sustainer
Baritone Fretless

Specials

Strings
Odds & Ends
T Shirt Offer

Home

Unfretted Logo
Pros & Cons of the Fretless Guitar
Pros and Cons of the fretless guitar


First off, the humourous side....


Pros:

No one else you know has one.

No one can tell how good (or bad) you play it.

Regular guitarists will be jealous.


Cons:

You do have to play accurately, don't believe it is easy, but like any practice it will come in time.

Sustain - many fretless players will bemoan the lack of sustain, and this may lead you to false conclusions.

Tab notation doesn't cover unfretted playing.


Conclusions:

Because of the extra effort / concentration needed to get a listenable sound fretless guitarists are immediately recognisable - you know who is playing straight off.

This means you can be tracked down and hideously murdered for your contribution to music.

In some areas you will require a licence from the local council, for instance, in Winsford, UK.



Second base, the serious considerations....

As a disclaimer, we would like to say that we've been forced to add some serious stuff by real musicians. - Ed


Pros:

You are joining a varied and unique group of musicians all with very different musical tastes and skills.

Any guitar can be Unfretted, electric, acoustic, classical, 12 string.

The fingerboard material will radically alter your tone. It can be glass, metal, phenolic (type of plastic), or wood.

No two fretless players sound the same, there is such a direct contact between your soul and the instrument that it could never be so.


Cons:

Transferring to fretless is a steep learning curve, and many fall by the wayside. For the lucky few who embrace the fretless guitar it is almost as if the instrument found them.

You will have to develop your ear and your mind, its not so much watching what you play, but listening to the music you create.

Chords are difficult at first, some shapes are nigh impossible to play in tune, very quickly you pick up the shapes that work.

Tone and sustain are very artist dependant, its something you need to work very hard at, and many people will say the fretless guitar has very little sustain. The sustain should not be an issue if the guitar is set up correctly, and remember your techinique will determine the overall sustain.



Unfretted Whispers
Unfretted whispers:


For the real enthusiasts we now have wallpaper, yes wallpaper!
I'm interested in Wallpaper


Recently Updated / New Pages

2010 Custom Dragonfly Fretless 29/August/2010
New Artist - Benjamin Badenhorst 07/March/2010
Review of halflight - Mahavira 28/February/2010
Darby Slick pic with doubleneck fretless 15/August/2009
Custom 48 Fretless Explorer 14/August/2009
Adrian Romero Interview - The Author's Cut 18/June/2009
TBX1 tuning box - new free patches for 19T 7/June/2009
Koll Tornado twin neck fretless guitar 2/May/2009
Link to Sándor Szabó's Modern Hungarian Maqam - website 25/April/2009
Less Is Seldom More - Ed DeGenaro CD Review 14/April/2009
TBX1 tuning box upgrade news 19/February/2009
Fretless Guitar Performance / Workshop 18/February/2009
New Artist - Adrian Romero 8/February/2009
LRG fretless guitar 6/February/2009
New Interview - Michelle Webb 3/January/2009

If you are thinking of providing a link to this site, why not use this banner,
we will love you forever. - Err.. OK, we know right clicks
are disabled on the site itself, but we are working on auto-download,
try a left click here.


Link to Unfretted

Unfretted Godin
29/Aug/2010